The film, which was delayed owing to the pandemic, is based mostly on just one of the most well-known incidents from Maratha background – the Fight of Pavan Khind. At the outset, the makers make it crystal clear that this is not a comprehensive documentation of the fight, its prelude or aftermath, but a cinematic recreation intended to showcase the bravery of the Marathas associated in this struggle. So, there are cinematic liberties taken in this retelling, but the crux of the story is taken care of.
The story about the Struggle of Pavan Khind (earlier identified as Ghod Khind) and the bravery exhibited by Bajiprabhu Deshpande and the Bandal military of 600 against the Siddhi Masud and the soldiers of the Adilshahi Sultanate is well known throughout Maharashtra. The result – Chhatrapati Shivaji Maharaj’s productive escape from Panhalgad to Vishalgad. But, does Lanjekar be successful in recreating this essential chapter from Marathi history on screen? Unquestionably!
Pawankhind is a thorough cinematic encounter that is in shape for the significant display screen. The movie is formidable in hoping to take a look at this tale in two and a 50 percent hours, but it largely succeeds in generating the appropriate develop up and ambience that leads to a great climax. From laying out the purpose and the figures associated in it, to the siege of Panhala by Siddhi Jauhar, the escape approach and the real struggle, Pawankhind lays out all its playing cards in entrance you chronologically, even though inducing a dose of record, drama and even comedian relief in concerning. The movie doesn’t pass up out on providing because of credit score to the majority of the generals who aided Shivaji Maharaj realise his aspiration of Swarajya.
As for the actors, it’s not an quick undertaking to carry some of the most perfectly –known names from the Marathi film and Television set market collectively in a multi-starrer of this scale. But the casting division and makers pull off this feat. Chinmay Mandlekar as Shivaji Maharaj, Ajay Purkar as Bajiprabhu Deshpande, Sameer Dharmadhikari as Siddhi Jauhar, Aastad Kale as Siddhi Masud, Ankit Mohan as Rayaji Bandal, Mrinal Kulkarni as Maasaheb Jijau, Akshay Waghmare as Koyaji Bandal each individual actor has provided his greatest to their roles. Even the supporting forged has some unforgettable performances from Kshitee Jog as Badi Begum, Harish Dudhade as Bahirji Naik, Shivraj Waichal as Harpya, Rishi Saxena as Rustam Zaman. An additional notable performance that stands out is that of Ajinkya Nanaware as Shiva Kashid, the person who resembled Shivaji Maharaj and sacrificed himself for his king. The scenes involving Ajinkya and Chinmay are bound to provide tears to your eyes.
Although Pawankhind excels in storytelling, the specialized factors, even though fantastic, could have been much better. The track record score overpowers dialogues in some vital scenes, and the motion choreography in some scenes fails to make the reduce. Having said that, all reported and finished, the total group has accomplished its most effective to make this a huge monitor working experience. Maybe with a bigger budget, these matters can be ironed out in the adhering to films of Lanjekar’s collection.
For now, Pawankhind is a terrific view, and at the cinemas only.